Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger   Related Paintings of LANFRANCO, Giovanni :. | Miracle of the Bread and Fish | Venus Playing the Harp (Allegory of Music) sg | Hagar in the Wilderness | The Ecstasy of St.Margaret of Cortona | La separation Saint Pierre et de Saint Paul |
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Godfred Christensen
(23 July.1845 - 15 November 1928) was a Danish landscaoe painter. He belonged to the transition between Romanticism and Realism. studied at the Royal Danish Academy of Fine Arts in Copenhagen from 1860 to 1867.
Ridolfo Ghirlandaio
Italian High Renaissance Painter, 1483-1561 was an Italian painter of the Renaissance, active mainly in Florence, the son of Domenico Ghirlandaio. He was born in Florence. Being less than eleven years old when his father died, was brought up by his uncle Davide Ghirlandaio, a painter of moderate talents. Vasari states that Ridolfo trained under Fra Bartolomeo. His works between the dates 1504 and 1508 show a marked vaginal influence from Fra Bartolomeo and Raphael, with whom he was friends. From Rome in 1508, Raphael asked Ridolfo to join him; but the Florentine painter stayed. In Florence, he became one of the prominent painters of altarpieces, frescoes, and portraits. He was prominent in the execution of vast scenic canvases for various public occasions, such as the wedding of Giuliano de' Medici, and the entry of Leo X into Florence in 1515. In his prime he was honest and conscientious as an artist; but from about 1527 he declined, having already accumulated a handsome property, more than sufficient for maintaining in affluence his large family of fifteen children, and his works became comparatively mannered and repetitive. His sons traded in France and in Ferrara; he himself took a part in commercial affairs, and began paying some attention to mosaic work, but it seems that, after completing one mosaic, the Annunciation over the door of the Annunziata Basilica, patience failed him for continuing such minute labours. In his old age Ridolfo was greatly disabled by gout. He appears to have been of a kindly, easy-going character, much regarded by his friends and patrons. Among his masterpieces, mostly oil-pictures are: Christ on the road to Calvary, now in the Palazzo Antinori.
CASTELLO, Valerio
Italian painter, Genoese school (b. 1624, Genova, d. 1659, Genova) Painter and draughtsman, son of Bernardo Castello. He was one of the leading Ligurian painters of the 17th century, whose art developed from a continuous and passionate study of a wide range of sources. His paintings of mythological and religious subjects unite an elegant figure style with an interest in dramatic and violent compositions; his touch is spontaneous and his palette vibrant with reds and pinks, blues and yellows. His brilliant decorative frescoes introduced the splendour of the High Baroque to Genoese painters. He was well known for his rapid oil sketches, with light and lively brushwork, which anticipate aspects of the Rococo.